New Books In Literary Studies

Popular representations of the past are everywhere in Japan, from cell phone charms to manga, from television dramas to video games to young people dressed as their favorite historical figures hanging out in the hip Harajuku district. But how does this mass consumption of the past affect the way consumers think about history and what it means to be Japanese? By analyzing representations of the famous sixteenth-century samurai leader Toyotomi Hideyoshi in historical fiction based on Taikōki, the original biography of him, this book explores how and why Hideyoshi has had a continued and ever-changing presence in popular culture in twentieth- and twenty-first-century Japan. The multiple fictionalized histories of Hideyoshi published as serial novels and novellas before, during, and after World War II demonstrate how imaginative re-presentations of Japan’s past have been used by various actors throughout the modern era. In The Afterlife of Toyotomi Hideyoshi: Historical Fiction and Popular Culture in Japan (Harva

In this episode Kim talks with Ama Bemma Adwetewa-Badu about distant reading. Ama Bemma provides her Global Poetics Project as an awesome example of distant reading. She also references Franco Moretti’s book Distant Reading (Verso, 2013) and Ted Underwood’s essay “A Genealogy of Distant Reading” Digital Humanities Quarterly 11 no. 2 (2017). Take a look at her short blog post on big data at the Network for Digital Humanities in Africa, for more of her insights on distant reading. In the longer version of our conversation Ama Bemma gave the African literary blog Brittle Paper as another example of contemporary digital humanities work. She also mentions James Yeku’s symposium on African digital storytelling. Towards the end we discuss Alan Liu’s commentary on cultural criticism in the digital humanities, and the philosophical amusements of “What is Digital Humanities?” Make sure when you visit that last page that you reload the page! Ama Bemma Adwetewa-Badu is a Ford Foundation Dissertation Fellow (2021-2022) an

An interview with novelist Elif Batuman. The international bestseller and Pulitzer Prize finalist The Idiot now has a sequel. In Either/Or (Penguin, 2022), Batuman picks up the story as her character, Selin, returns for her sophomore year at Harvard. Either/Or, like its predecessor, is a novel of ideas wrapped in a campus novel, told in a voice so unique that you may never get over it. Elif and I talk Cartesian dualism, Voltron’s tardiness, the novel of ideas vs the thinking novel, eros defused over the body, and so much more. You can’t miss this episode. Books Recommended in this episode: Kazuo Ishiguro, Never Let Me Go John William, Stoner Nino Haratischvili, The Eighth Life  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose,

In this episode Kim speaks with Lauren Fournier about autotheory. Lauren has recently published a book on the subject, titled Autotheory as Feminist Practice in Art, Writing, and Criticism (MIT Press, 2021). In the episode she points to Maggie Nelson’s book The Argonauts as the book that made the term famous, but refers us to a longer history of autotheoretical feminist writing, including work by Gloria E. Anzaldúa, Audre Lorde, and bell hooks. She also mentions critical research by Zoe Todd, “An Indigenous Feminist’s Take On The Ontological Turn: ‘Ontology’ Is Just Another Word For Colonialism” and the book I Love Dick, by Chris Kraus. Lauren is a writer, curator, and artist, who currently holds a SSHRC postdoctoral fellowship in visual studies at the University of Toronto. She is currently co-editing a special issue of ASAP Journal on Autotheory with her colleague Alex Brostoff. Her novella, All My Dicks, is forthcoming with Fiction Advocate. Image: Art by Sona Safaei-Sooreh Music used in promotional materi

Against a groundswell of critiques of global English, Vernacular English: Reading the Anglophone in Postcolonial India (Princeton UP, 2022) argues that literary studies are yet to confront the true political import of the English language in the world today. A comparative study of three centuries of English literature and media in India, this original and provocative book tells the story of English in India as a tale not of imperial coercion, but of a people’s language in a postcolonial democracy. Focusing on experiences of hearing, touching, remembering, speaking, and seeing English, Akshya Saxena delves into a previously unexplored body of texts from English and Hindi literature, law, film, visual art, and public protests. She reveals little-known debates and practices that have shaped the meanings of English in India and the Anglophone world, including the overlooked history of the legislation of English in India. She also calls attention to how low castes and minority ethnic groups have routinely used thi

What is a detail? How is it different from xijie, its Chinese counterpart? Is "reading for the details" fundamentally different from "reading for the plot"? Did xijie xiaoshuo, the Chinese novel of details, give the world its earliest form of modern fiction? Inspired by studies of vision and modernity as well as cinema, this book gazes out on the larger world through the small aperture of the detail, highlighting how concrete literary minutiae become "telling" as they reveal the dynamics of seeing and hearing, the vibrations of the mind, the complexity of the everyday, and the imperative to recognize the minute, the humble, and the hidden. In a strain of masterpieces of xijie xiaoshuo, such details play a key role in pivoting the novel from didacticism towards a capacious modern form. Examining the Chinese detail as both a common idiom and a unique concept, and extrapolating it from individual works to the culture at large, reveals under-explored areas of the Chinese novel: its psychological depths, its conne

In Fierce Appetites: Loving, Losing and Living to Excess in my Present and in the Writings of the Past (Sandy Cove, 2022), Dr. Elizabeth Boyle weaves together the past and the present together, creating a beautiful memoir and reflection. To quote the book blurb, “Not only does Elizabeth Boyle write dazzling accounts of ancient stories, familiar and obscure, from Ireland and further afield, but she uses her historical learning to grapple with the raw and urgent questions she faces, questions that have bedeviled people in every age. She writes on grief, addiction, family breakdown, the complexities of motherhood, love and sex, memory, class, education, travel (and staying put) with unflinching honesty, deep compassion, and occasional dark humour.” This book is for academics and non-academics alike and for those interested in musings on the Middle Ages, a multifaceted life, and the events of 2020. Fierce Appetites was published by Sandycove, an imprint of Penguin Books, in 2022. Dr. Elizabeth Boyle is a lecturer

Elizabeth Oyler and Katherine Saltzman-Li's book Cultural Imprints: War and Memory in the Samurai Age (Cornell UP, 2022) draws on literary works, artifacts, performing arts, and documents that were created by or about the samurai to examine individual "imprints," traces holding specifically grounded historical meanings that persist through time. The contributors to this interdisciplinary volume assess those imprints for what they can suggest about how thinkers, writers, artists, performers, and samurai themselves viewed warfare and its lingering impact at various points during the "samurai age," the long period from the establishment of the first shogunate in the twelfth century through the fall of the Tokugawa in 1868. The range of methodologies and materials discussed in Cultural Imprints challenges a uniform notion of warrior activity and sensibilities, breaking down an ahistorical, monolithic image of the samurai that developed late in the samurai age and that persists today. Highlighting the memory of wa

Alice Dailey’s How to Do Things with Dead People: History, Technology, and Temporality from Shakespeare to Warhol (Cornell University Press, 2022) is an exploration of Shakespeare’s chronicle plays through the theoretical rubric of modern technology. Dailey is Professor of English at Villanova University and is the author of the monograph The English Martyr from Reformation to Revolution (from Notre Dame Press). How to Do Things with Dead People is a study of the representational strategies of the porous boundary between past and present, and dead and undead, in Shakespeare’s history plays. Drawing on Roland Barthes, Susan Sontag, Lee Edelman, Peggy Phelan, and Derrida, Dailey creates new space for how we might think about the unruly interrelationships of the present, the past, and the future, including how twentieth-century technology can reanimate our engagement with early modern theories of kingship, ableism, and reproductive futurity. John Yargo recently received his PhD in English literature from the Uni

Since the original airing of this episode in June 2021, Roger Reeves' second book Error! Hyperlink reference not valid. was published by W.W. Norton, and the paperback edition of David Ferry's translation of The Aeneid was published by the University of Chicago Press. The underworld, that repository of the Shades of the Dead, gets a lot of traffic from heroes (Gilgamesh, Theseus, Odysseus, Aeneas) and poets (Orpheus, Virgil, Dante). Some come down for information or in hopes of rescuing or just seeing their loved ones, or perhaps for a sense of comfort in their grief. They often find those they have loved, but they rarely can bring them back. Comfort they never find, at least not in any easy way. In conversation with Elizabeth for this episode of Recall this Book, originally broadcast back in 2021, poets Roger Reeves and David Ferry join the procession through the underworld, each one leading the other. They talk about David’s poem Resemblance, in which he sees his father, whose grave he just visited, eating

Hakkenden is a classic work of Japanese literature: the story of the eight warriors, born from Princess Fuse and the dog Yatsufusa, has been adapted to manga, movies and anime. And its tropes continue to pop up in Japanese popular culture today. But there’s so much story in Hakkenden that Eight Dogs, or "Hakkenden": Part One―An Ill-Considered Jest (Cornell University Press: 2021), a new translation by Glynne Walley, doesn’t even get to the eight warriors before it’s end! Glynne’s translation sets the scene for the emergence of the eight dog warriors, translating everything in the book–including the medicine ads the author included to help pay the bills. In this interview, Glynne and I talk about what makes Hakkenden so special, Glynne’s translation choices, and how its themes and tropes persist to the present day. Glynne Walley is an Associate Professor of Japanese Literature at the University of Oregon and author ofGood Dogs: Edification, Entertainment & Kyokutei Bakin's Nansō Satomi hakkenden (Cornell East

In this episode Saronik talks to Manasvin Rajagopalan about critical possibilities in varied literary ideations of love. Manasvin mentions Hannah Arendt’s concept of love as destruction, the concepts of Puram and Akam in classical Tamil poetics, Moliere’s comedies, Plato’s Symposium, the Hebrew Bible, Sappho’s poetry, the story of Shakuntala, and The Aeneid. Manasvin is a PhD candidate in Comparative Literature at UC Davis , where he writes about questions of identity and world building in Early Modern French and Tamil literature. Image: An eighteenth century representation of the Dhanasri Ragini held by The Art Institute of Chicago. Public domain artwork. Music used in promotional material: “The Flute in a Barrel” by Sandro Marinoni and Stefano Roncarolo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

On a near-daily basis, data is being used to narrate our lives. Categorizing algorithms drawn from amassed personal data to assign narrative destinies to individuals at crucial junctures, simultaneously predicting and shaping the paths of our lives. Data is commonly assumed to bring us closer to objectivity, but the narrative paths these algorithms assign seem, more often than not, to replicate biases about who an individual is and could become. While the social effects of such algorithmic logics seem new and newly urgent to consider, Collecting Lives: Critical Data Narrative as Modernist Aesthetic in Early Twentieth-Century Us Literatures (U Michigan Press, 2022) looks to the late nineteenth and early twentieth century U.S. to provide an instructive prehistory to the underlying question of the relationship between data, life, and narrative. Rodrigues contextualizes the application of data collection to human selfhood in order to uncover a modernist aesthetic of data that offers an alternative to the algorith

This intricate, yearning work from award-winning poet Alison Calder asks us to think about the way we perceive and the ways in which we seek to know ourselves and others. In Synaptic (University of Regina Press, 2022) each section explores key themes in science, neurology, and perception. The first, Connectomics, riffs on scientific language to work with and against that language’s intentions. Attempting to map the brain’s neural connections, it raises fundamental questions about interiority and the self. The lyric considerations in these poems are juxtaposed against the scientific-like footnotes which, in turn, invoke questions undermining authority and power. The second section, Other Disasters, explores ways of seeing or and being seen, from considerations of folklore to modern art to daily life. Sine Yaganoglu trained as a neuroscientist and bioengineer (PhD, ETH Zurich). She currently works in innovation management and diagnostics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support ou

When first published in 1926, Ernest Hemingway’s The Sun Also Rises changed American literature forever. Hemingway follows a disillusioned group of expats in post-World War I Europe whose relationships unravel as they travel from Paris to the bullfights in Spain. Unsettling, provocative, and inspiring to this day, this legendary novel about loyalty, love, and betrayal challenges readers to discover what it takes to be true to oneself. Harlem Renaissance writer Claude McKay put it well: “[w]hen Hemingway wrote The Sun Also Rises, he shot a fist in the face of the false romantic-realists and said: ‘You can’t fake about life like that.’” And Ralph Waldo Ellison, author of Invisible Man (podcast), said: “Because Hemingway loved the American language and the joy of writing…he was in many ways the true father-as-artist of so many of us who came to writing during the late thirties.” I spoke with Professor Linda Patterson Miller to understand why the novel had such an impact, what the book meant for the “lost generat

Ulrich Baer talks to Kim about the process and phenomenon of witnessing, which creates collective acknowledgement, understanding, and responsibility for trauma. Among other works, he talks about Shoshana Felman and Dori Laub’s book Testimony. In his discussion of witnessing with respect to our present political moment, he talks about the murder of George Floyd and the following global reckoning. Ulrich Baer is University Professor at New York University where he teaches literature and photography, and writes frequently about photography, art, literature, and other subjects. A graduate of Harvard and Yale, he has been awarded Guggenheim, Getty, and Humboldt fellowship. Image: Detail from ‘Girl with a Yellow Bird’ by Hale Woodruff. Music used in promotional material: “Leaving for Chicago” by Rest You Sleeping Giant. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Four Shades of Gray: The Amazon Kindle Platform (MIT Press, 2022) is the first book-length analysis of Amazon's Kindle explores the platform's technological, bibliographical, and social impact on publishing. Dr. Simon Peter Rowberry recounts how Amazon built the infrastructure for a new generation of digital publications, then considers the consequences of having a single company control the direction of the publishing industry. Exploring the platform from the perspectives of technology, texts, and uses, he shows how the Kindle challenges traditional notions of platforms as discrete entities. Dr. Rowberry argues that Amazon's influence extends beyond “disruptive technology” to embed itself in all aspects of the publishing trade; yet despite industry pushback, he says, the Kindle has had a positive influence on publishing. Dr. Rowberry documents the first decade of the Kindle with case studies of Kindle Popular Highlights, an account of the digitization of books published after 1922, and a discussion of how Am

Nathan Jordan Poole speaks to managing editor Emily Everett about his story “Idlewild,” which appears in The Common’s new spring issue. In this conversation, Nathan talks about doing seasonal work at Christmas tree farms, the workers from all walks of life he met there, and how those experiences and those people helped to inspire this story. He also discusses his writing and revision process, his story collections and future projects, and why he chooses to write unromantically about rural life. Nathan Jordan Poole is the author of two books of fiction: Father Brother Keeper, a collection of stories selected by Edith Pearlman for the Mary McCarthy Prize, and Pathkiller as the Holy Ghost, selected by Benjamin Percy as the winner of the Quarterly West Novella Contest. He is a recipient of the Narrative Prize, a Milton Fellowship at Seattle Pacific University, a Joan Beebe Fellowship at Warren Wilson College, a Tennessee Williams Scholarship at Sewanee School of Letters, and a North Carolina Artist Fellowship. He

The collapse of the Soviet Union forced Russia to engage in a process of nation building. This involved a reassessment of the past, both historical and cultural, and how it should be remembered. The publication of previously barely known underground and émigré literary works presented an opportunity to reappraise "official" Soviet literature and re-evaluate twentieth-century Russian literature as a whole. Katharine Hodgson and Alexandra Smith's book Canonicity, Twentieth-Century Poetry and Russian National Identity After 1991 (Peter Lang, 2020) explores changes to the poetry canon – an instrument for maintaining individual and collective memory – to show how cultural memory has informed the evolution of post-Soviet Russian identity. It examines how concerns over identity are shaping the canon, and in which directions, and analyses the interrelationship between national identity (whether ethnic, imperial, or civic) and attempts to revise the canon.  Canonicity, Twentieth-Century Poetry and Russian National Ide

Saronik chats with Jay Shelat about the 9/11 family novel. They discuss how the attacks (re)dynamized constructions and perceptions of family. Jay refers to a few 9/11 family novels, including Burnt Shadows by Kamila Shamsie, The Reluctant Fundamentalist by Mohsin Hamid, Netherland by Joseph O’Neill, and Extremely Loud and Incredibly Close by Jonathan Safran Foer. If you want a list of more 9/11 family novels, feel free to ask. A special shoutout to Sarah Wasserman’s The Death of Things: Ephemera and the American Novel for ideas about the state of print culture. Jay is a PhD candidate at the University of North Carolina, Greensboro, where he is writing his dissertation about 9/11 and the family. His work can be found or is forthcoming in Texas Studies in Literature and Language, Critic, ASAP/J, and elsewhere. You can follow him on Twitter @jshelat1. Image: photo taken by Ben Hider at the 9/11 Memorial Museum. Music used in promotional material: Adagio (mother nature’s sleep) by Dee Yan-Kay Learn more about yo