New Books In Literary Studies

It is the late twenty-first century, and Momo is the most celebrated dermal care technician in all of T City. Humanity has migrated to domes at the bottom of the sea to escape devastating climate change. The world is dominated by powerful media conglomerates and runs on exploited cyborg labor. Momo prefers to keep to herself, and anyway she’s too busy for other relationships: her clients include some of the city’s best-known media personalities. But after meeting her estranged mother, she begins to explore her true identity, a journey that leads to questioning the bounds of gender, memory, self, and reality. First published in Taiwan in 1995, The Membranes is a classic of queer speculative fiction in Chinese. Chi Ta-wei weaves dystopian tropes—heirloom animals, radiation-proof combat drones, sinister surveillance technologies—into a sensitive portrait of one young woman’s quest for self-understanding. Predicting everything from fitness tracking to social media saturation, this visionary and sublime novel stan

“Finally, the first of Norton’s long-awaited treatments of Ernest Hemingway, the American who, more than anyone, changed the look and sound of modern American prose. Academic rigor and impeccable attention to detail are the hallmarks of the Norton Critical Edition, and this volume on The Sun Also Rises is no exception. In addition to the usual suspects of contemporary reviews and early criticism, this volume draws on an exceptional pool of resources and ancillary material to tell this novel’s story: biographical excerpts from the likes of Sylvia Beach and Harold Loeb, original expurgated text, epistolary exchanges with Max Perkins and F. Scott Fitzgerald, and hefty segments on expatriation, the bullfights, and Hemingway’s own literary influences. Add to this a generous sampling of new, exceptional criticism that speaks to a modern audience about issues of gender and sexuality and about race, and a wonderful, spirited introduction, and this critical edition edited by Michael Thurston becomes the definitive edi

Rania Karoula's The Federal Theatre Project, 1935-1939 (Edinburgh University Press, 2020) offers a readable and engaging summary of an important chapter in American theatre history. Now safe from the 30s-era anti-Communist backlash that led Hallie Flanagan and others to downplay the influence of Communist avant gardes on the FTP, Karoula reveals the intellectual and artistic dialogue between artists affiliated with the FTP and left-wing theatre artists including Meyerhold, Piscator, and Brecht. Karoula tracks how the FTP tried to incorporate these aesthetic innovations into the American stage but was ultimately unable to ward off HUAC persecution. This book will be of interest both to scholars of theatre history and historians of the New Deal more generally. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show

In this rebroadcast, John and Brandeis neuroscientist Gina Turrigiano (an occasional host and perennial friend of Recall this Book) speak with Madeline Miller, author of the critically acclaimed bestseller Circe. Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Translation of Contemporary Taiwan Literature in a Cross-Cultural Context (Routledge, 2021) explores the social, cultural, and linguistic implications of translation of Taiwan literature for transnational cultural exchange. It demonstrates principally how asymmetrical cultural relationships, mediation processes, and ideologies of the translation players constitute the culture-specific translation activity as a highly contested site, where translation can reconstruct and rewrite the literature and the culture it represents. Four main theoretical themes are explored in relation to such translation activity: sociological studies, cultural and rewriting studies, English as a lingua franca, and social and performative linguistics. These offer insightful perspectives on the translation as an interpretive encounter between not only two languages, two cultural systems and assumptions taking place, but also among various translation mediators. This book will be useful to scholars and students working on translation an

Written in straightforward, jargon-free language, Nancy Pedri's A Concise Dictionary of Comics (University Press of Mississippi, 2022) guides students, researchers, readers, and educators of all ages and at all levels of comics expertise. It provides them with a dictionary that doubles as a compendium of comics scholarship. A Concise Dictionary of Comics provides clear and informative definitions for each term. It includes twenty-five witty illustrations and pairs most defined terms with references to books, articles, book chapters, and other relevant critical sources. All references are dated and listed in an extensive, up-to-date bibliography of comics scholarship. Each term is also categorized according to type in an index of thematic groupings. This organization serves as a pedagogical aid for teachers and students learning about a specific facet of comics studies and as a research tool for scholars who are unfamiliar with a particular term but know what category it falls into. These features make A Conci

An interview with Natasha Brown, winner of the London Writers Award, and author of Assembly (Little Brown, 2021), the story of a young black British woman, marked by success in education and work, who asks a fundamental question: does my country care whether or I live or die? At a mere one hundred and two pages, Assembly manages to evoke more feeling, more sensorial reality than many novels twice its length. Natasha has gone to the novel’s primary function—its vision into the inner life of a character—and she has brought it to bear on the precariousness of black life. The result is a work of literary fiction that is profoundly beautiful, with passages of poetic form and lyrical description of a world that her narrator experiences as ultimately negating. Negating of her agency, her accumulated wealth and status, her education, her citizenship, and ultimately of her bare life. Suffused with its contemporary moment, with references to the police killing of Philando Castille and the white nationalist resurgence i

Secretly his unconscious body, still flickering with life, is spirited away by to an island monastery in the Venetian lagoon where he recovers his health and joie de vivre. From there he begins a series of adventures that include Auguste Rodin, a romance with an English aristocrat, a new lover, a session with Sigmund Freud, and an heroic death. I spoke with novelist Ardythe Ashley about her meticulously researched historical novel that breathes new life into a writer who continues to charm and fascinate readers and audiences to this day. Ardythe Ashley is the author of The Return of the Century: The Death and Further Adventures of Oscar Wilde. While doing research for the novel, she found herself in the Library of the British Museum reading the letters Oscar Wilde wrote in his dank cell in Reading Gaol to Lord Alfred Douglas (Bosie), later published as De Profundis. “I’m sorry, Madam,” came the firm-but-not-unkind voice of a white-gloved librarian, “but it is not permitted to weep upon the manuscripts.” In ad

In this episode Kim and Chad talk about Julia Kristeva’s theory of “intertextuality.” Chad references Chapter 3 of Kristeva’s book Desire in Language: A Semiotic Approach to Literature and Art, Translated by Thomas Gora, Alice Jardine, and Leon S. Roudiez, (Columbia UP 1980). The last quote (the permanent revolt one) is from Chapter 15, “Europhilia-Europhobia,” of Kristeva’s Intimate Revolt: The Powers and Limits of Psychoanalysis, Translated by Jeanie Herman, (Columbia UP, 2002). Chad Hegelmeyer is a postdoc in English at NYU. He wrote a dissertation about fact checking! The Capybara still stands, proudly, in place of Chad. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In A Vertical Art: On Poetry (Princeton UP, 2022), acclaimed poet Simon Armitage takes a refreshingly common-sense approach to an art form that can easily lend itself to grand statements and hollow gestures. Questioning both the facile and obscure ends of the poetry spectrum, he offers sparkling new insights about poetry and an array of favorite poets. Based on Armitage’s public lectures as Oxford Professor of Poetry, A Vertical Art illuminates poets as varied as Emily Dickinson, Walt Whitman, Marianne Moore, W. H. Auden, Ted Hughes, Thom Gunn, A. R. Ammons, and Claudia Rankine. The chapters are often delightfully sassy in their treatment, as in “Like, Elizabeth Bishop,” in which Armitage dissects—and tallies—the poet’s predilection for similes. He discusses Bob Dylan’s Nobel Prize, poetic lists, poetry and the underworld, and the dilemmas of translating Sir Gawain and the Green Knight. Armitage also pulls back the curtain on the unromantic realities of making a living as a contemporary poet, and ends the boo

"As a result of the historic catastrophe in which Titus of Rome destroyed Jerusalem and Israel was exiled from its land, I was born in one of the cities of the Exile,” S. Y. Agnon declared at the 1966 Nobel Prize ceremony. “But always I regarded myself as one who was born in Jerusalem.” Agnon’s act of literary imagination fueled his creative endeavor and is explored in these pages. Jerusalem and the Holy Land (to say nothing of the later State of Israel) are often two-faced in Agnon’s Hebrew writing. Depending on which side of the lens one views Eretz Yisrael through, the vision of what can be achieved there appears clearer or more distorted.  These themes wove themselves into the presentations at an international conference convened in 2016 by the Yeshiva University Center for Israel Studies in New York City, in honor of the fiftieth anniversary of Agnon’s Nobel Prize. The essays from that conference, collected in Agnon’s Tales of the Land of Israel (Pickwick Publications, 2021), explore Zionism’s aspiration

The Sentences That Create Us: Crafting a Writer’s Life in Prison (Haymarket Books, 2022) is an expansive resource for incarcerated writers. With over 50 contributors like Reginald Dwayne Betts, Randall Horton, and Nicole Shawan Junior, this resource provides the foundations for crafting a vibrant literary life with the carceral state. The guide offers advice including editing, publishing works, and developing prison writing groups while weaving first-person narratives. The Sentences That Create Us will show incarcerated people and allies how to release their stories that prisons caged. N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Colm Tóibín, the new laureate for Irish fiction, talks to Joseph Rezek of Boston University, and guest host Tara K. Menon of Harvard. The conversation begins with Colm’s latest novel The Magician, about the life of Thomas Mann, and whether we can or should think of novelists as magicians and then moves swiftly from one big question to the next. What are the limitations of the novel as a genre? Would Colm ever be interested in a writing a novel about an openly gay novelist? Why and how does death figure in Colm’s fiction? Each of Colm’s revealing, often deeply personal answers illuminates how both novels and novelists work. As Thoman Mann wrote of the “grubby business” of writing novels, Colm reminds us of the “day to day dullness of novel writing.” Insight and inspiration only arrive, he warns, after long, hard days of work. Mentioned in this episode: Robinson Crusoe (1719), Daniel Defoe Pride and Prejudice (1813), Jane Austen The Portrait of a Lady (1881), Henry James The Wings of the Dove(1902), Henry James

In this episode, Kim and Saronik discuss Roland Barthes’ essay “The Death of the Author” printed in Image Music Text, translated by Stephen Heath, New York: Hill and Wang, 1977. The image for this week is plate three from Jules Morel, Manuel d’Anatomie Artistique. Paris: Grand, 1877. Medical Heritage Library Collections on Internet Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Taking cues from Walter Benjamin’s fragmentary writings on literary-historical method, Late Colonial Sublime: Neo-Epics and the End of Romanticism (Northwestern UP, 2018) re-constellates the dialectic of Enlightenment across a wide imperial geography, with special focus on the fashioning of neo-epics in Hindi and Urdu literary cultures in British India. Working through the limits of both Marxism and postcolonial critique, this book forges an innovative approach to the question of late romanticism and grounds categories such as the sublime within the dynamic of commodification. While G. S. Sahota takes canonical European critics such as Theodor Adorno and Max Horkheimer to the outskirts of empire, he reads Indian writers such as Muhammad Iqbal and Jayashankar Prasad in light of the expansion of instrumental rationality and the neotraditional critiques of the West it spurred at the onset of decolonization. By bringing together distinct literary canons—both metropolitan and colonial, hegemonic and subaltern, Wes

Kim talks with Pardis about Theodor Adorno’s concept of the autonomous work of art, as articulated in his Aesthetic Theory, and The Dialectic of Enlightenment (with help from Max Horkheimer). Pardis Dabashi is an assistant professor of English at the University of Nevada, Reno, where she specializes in 20th-Century literature and Film studies. Starbucks Christmas Blend is one of her many guilty pleasures. Adorno would be upset. Image source: Witches dancing in forest, in the Compedium Maleficarum of Francesco Mario Guazzo, published in 1608. Available on Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Many readers know Lewis as an author of fiction and fantasy literature, including the Chronicles of Narnia and the Space Trilogy. Others know him for his books in apologetics, including Mere Christianity and The Problem of Pain. But few know him for his scholarly work as a professor of medieval and Renaissance literature. What shaped the mind of this great thinker? In The Medieval Mind of C. S. Lewis: How Great Books Shaped a Great Mind (InterVarsity, 2022), Jason Baxter argues that Lewis was deeply formed not only by the words of Scripture and his love of ancient mythology, but also by medieval literature. For this undeniably modern Christian, authors like Dante and Boethius provided a worldview that was relevant to the challenges of the contemporary world. Here, readers will encounter an unknown figure to guide them in their own journey: C. S. Lewis the medievalist. Jason M. Baxter (PhD, University of Notre Dame) is associate professor of fine arts and humanities at Wyoming Catholic College. He is the autho

Today we talk to Sigurður Gylfi Magnússon about Wasteland with Words (Reaktion, 2010) and about microhistory as a method. Iceland is an enigmatic island country marked by contradiction: it’s a part of Europe, yet separated from it by the Atlantic Ocean; it’s seemingly inhospitable, yet home to more than 300,000. Wasteland with Words explores these paradoxes to uncover the mystery of Iceland. In Wasteland with Words Sigurdur Gylfi Magnússon presents a wide-ranging and detailed analysis of the island’s history that examines the evolution and transformation of Icelandic culture while investigating the literary and historical factors that created the rich cultural heritage enjoyed by Icelanders today. Magnússon explains how a nineteenth-century economy based on the industries of fishing and agriculture—one of the poorest in Europe—grew to become a disproportionately large economic power in the late twentieth century, while retaining its strong sense of cultural identity. Bringing the story up to the present, he a

“One should really only do philosophy as poetry.” What could Ludwig Wittgenstein have meant by this? What was the context for this odd remark? In Wittgenstein’s Artillery: Philosophy as Poetry (MIT Press, 2021), James Klagge provides a perspective on Wittgenstein as a person and how his life intersected with his work, in particular in the transition from his early Tractatus Logico-Philosophicus to the later Philosophical Investigations. Based on private notebooks and memoirs by some of Wittgenstein’s students, Klagge, a professor of philosophy at Virginia Tech, sees Wittgenstein’s interactions with his students as gradually prodding him to come grips with the problem of how to influence the frames of mind that people take to philosophical problems. Poetry, along with parables, similes, and other imaginative presentations, exemplify a way of addressing these non-cognitive attitudes – and Wittgenstein conceded that he was not entirely successful in his efforts. Carrie Figdor is professor of philosophy at the Un

In this episode, Dr. Brandon J. Manning talks about his most recent book, Played Out: The Race Man in 21st Century Satire (Rutgers UP, 2022). Here's a short description: through contemporary examples, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, Played Out: The Race Man in 21st Century Satire examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies