New Books In Literary Studies

Shubha Sunder speaks to managing editor Emily Everett about her story “A Very Full Day,” which appears in The Common’s fall issue. In this conversation, Shubha talks about writing stories set in India, and how she built out the insular world of Indian retirees that “A Very Full Day” centers on. She also discusses teaching creative writing to undergrads, her revision process, and her forthcoming collection of stories Boomtown Girl, which won the St. Lawrence Book Award. Shubha Sunder's debut short story collection, Boomtown Girl, won the St. Lawrence Book Award and is forthcoming from Black Lawrence Press. She has published stories and essays in New Letters, The Common, Narrative Magazine, Michigan Quarterly Review, Catapult, Crazyhorse, and elsewhere. Her fiction has received honorable mention in The Best American Short Stories, won the Crazyhorse Fiction Prize and Narrative "30 Below," and been shortlisted for The Flannery O’Connor Award, The Hudson Prize, and The New American Fiction Prize. She is a recipie

The city of Dublin, with its ancient cobblestones, historic pubs, and legendary river Liffey, has been a source of inspiration for writers and poets for centuries. Though it might provide a creative buzz, modern city existence can often prove exhausting for the contemporary poet constantly bombarded with new sights, sounds, and smells, as well as the increasing pull of technology, with smartphone apps and messages vying for attention, offering new ways of interacting with the history of the city, or with imagined versions of it. Adam Wyeth’s new experimental poetry collection about:blank (Salmon Poetry, 2021) takes the city of Dublin as its setting and depicts the pressures of contemporary urban life by expanding the poetic form to include a variety of genres and short forms: monologue, dialogue, and instructions for yoga poses. These narratives are interwoven to give readers a remarkable impression of contemporary human existence and the ways that human consciousness is shaped by myth, literary references,

We don’t think of Canada as a republic. Even in its modern and vibrantly multi-cultural form, there is something monarchical about the place. The Queen appears on every coin, on the $20 bill, and pretty often in portrait form, placed over the home team’s net in hockey rinks from coast to coast. Politically, Canada’s status as a constitutional monarchy shapes a collective identity that prizes political moderation, consensus, and that strives for egalitarian values. But there was a time when Canada might have taken a republican turn. Between 1837 and 1867 – a period bracketed by rebellion and Confederation – a group of writers debated the virtues of American-style republican government versus British constitutional monarchy. In these discussions, American culture and political institutions were a dominant frame of reference. In Between Empire and Republic: America in the Colonial Canadian Imagination (Lexington, 2022), Oana Godeanu-Kenworthy employs three Anglophone authors – John Richardson, Susanna Moodie and

When I Grow Up, the latest graphic nonfiction narrative from New Yorker cartoonist Ken Krimstein, is based on six of hundreds of newly discovered, never-before-published autobiographies of Eastern European Jewish teenagers. These autobiographies, submitted in a writing contest, were hidden away at the outbreak of World War II, and were only discovered seven decades later. In When I Grow Up, the author brings these stories, their authors, and their entire world, to life. David Gottlieb is the Director of Jewish Studies at the Spertus Institute for Jewish Learning and Leadership in Chicago. He is the author of Second Slayings: The Binding of Isaac and the Formation of Jewish Memory (Gorgias Press, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode I talk with Daniel Y. Kim, Associate Professor of English and American Studies at Brown University, about his 2020 book Intimacies of Conflict: Cultural Memory and the Korean War, published by New York University Press. Though often considered “the forgotten war,” lost between the end of World War II and the start of the Cold War, the Korean War was, as Daniel Y. Kim argues, a watershed event that fundamentally reshaped both domestic conceptions of race and the interracial dimensions of the global empire that the United States would go on to establish. He uncovers a trail of cultural artefacts that speaks to the trauma experienced by civilians during the conflict but also evokes an expansive web of complicity in the suffering that they endured. Taking up a range of American popular media from the 1950s, Kim offers a portrait of the Korean War as it looked to Americans while they were experiencing it in real time. Kim expands this archive to read a robust host of fiction from US writers like Su

A Companion to The Story of the Stone: A Chapter-by-Chapter Guide (Columbia UP, 2021), co-authored by Susan Chan Egan and Pai Hsien-yung (Columbia University Press, 2021), is a straightforward guide to the Chinese literary classic, The Story of the Stone (also known as Dream of the Red Chamber), that was written at a time when readers had plenty of leisure to sort through the hundreds of characters and half a dozen subplots that weave in and out of the book’s 120 chapters. The Story of the Stone is widely held to be the greatest work of Chinese literature, beloved by readers ever since it was first published in 1791. The story revolves around the young scion of a mighty clan who, instead of studying for the civil service examinations, frolics with his maidservants and girl cousins. The narrative is cast within a mythic framework in which the protagonist’s rebellion against Confucian strictures is guided by a Buddhist monk and a Taoist priest. Embedded in the novel is a biting critique of imperial China’s poli

Shozan Jack Haubner is the pen name of a Zen monk whose essays have appeared in The Sun, Tricycle, Buddhadharma, and the New York Times, as well as in the Best Buddhist Writing series. His book Zen Confidential: Confessions of a Wayward Monk is the winner of a 2012 Pushcart Prize. His most recent book, Single White Monk: Tales of Death, Failure, and Bad Sex (Although Not necessarily in that Order) is out now from Shambhala Publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In What John Knew and What John Wrote: A Study in John and the Synoptics (Fortress, 2020), Wendy E. S. North investigates whether or not the author of John could have crafted his Gospel with knowledge of the Synoptics. Unlike previous approaches, which have usually treated the Gospel according to John purely as a piece of literature, this book undertakes a fresh approach by examining how John’s author reworks material that can be identified within his own text and also in the Jewish Scriptures. An assessment of these techniques allows North then to compare the Gospel of John with its Synoptic equivalents, and to conclude at last that John indeed worked with the knowledge of the Synoptic texts at certain points. Wendy E. S. North is a honorary research fellow in the department of theology and religion at the University of Durham. Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You c

Charles Yu won the 2020 National Book Award for Interior Chinatown but some of us became fans a decade earlier, with How to Live Safely in a Science Fictional Universe (2010). He brilliantly uses SF conventions to uncover the kind of self-deceptive infilling that we all do every day, the little stories we tell ourselves to make our world seem predictable and safe when it’s anything but. His other work includes two books of short stories (Third Class Superhero 2006 and Sorry Please Thank You in 2012) and some episodes of Westworld, He speaks with John and with Chris Fan, Assistant Professor at UC Irvine, senior editor and co-founder of Hyphen magazine, noted SF scholar. The conversation gets quickly into intimate territory: the pockets of safe space and the "small feelings" that families can and cannot provide, and that science fiction can or cannot recreate. Graph paper and old math books get a star turn. Charlie's time as a lawyer is scrutinized; so too is "acute impostor syndrome" and the everyday feeling o

The superhero of comic books and blockbuster movies may be a quintessentially American invention, forever saving the world in skin-tight spandex. But the cultural DNA of the superhero can arguably be traced to a much older, more progressive, British tradition: the larger-than-life folk heroes of historical protests – General Ludd, Captain Swing, Lady Skimmington, and others; semi-fictional identities that ordinary protestors adopted, often dressing up in the process. The Cuckoo Cage (CommaPress, 2022), edited by Ra Page, is a unique experiment, twelve authors have been tasked with resurrecting that tradition: to spawn a new generation of present-day British superheroes, willing to bring the fight back to British shores and to more progressive causes. From the dimension-jumping statue-toppler, to the shape-shifting single mum raiding supermarkets to stock local foodbanks, these figures offer unlikely new insights into shared, centuries-old political causes, and usher in a new league of proud, British (social j

In Speaking Truths: Young Adults, Identity, and Spoken Word Activism (Rutgers UP, 2022), sociologist Valerie Chepp goes behind-the-scenes to uncover how spoken word poetry--and young people's participation in it--contributes to a broader understanding of contemporary social justice activism, including this generation's attention to the political importance of identity, well-being, and love. Drawing upon detailed observations and in-depth interviews, Chepp tells the story of a diverse group of young adults from Washington, D.C. who use spoken word to create a more just and equitable world. Outlining the contours of this approach, she interrogates spoken word activism's emphasis on personal storytelling and "truth," the strategic uses of aesthetics and emotions to politically engage across difference, and the significance of healing in sustainable movements for change.  Weaving together their poetry and personally told stories, Chepp shows how poets tap into the beautiful, emotional, personal, and therapeutic f

What is the hidden history of women in the television industry? In Their Own Best Creations: Women Writers in Postwar Television (U California Press, 2022), Annie Berke, film editor at the Los Angeles Review of Books and host of the Film channel of the New Books Network podcast, explores the history of women writers through key case studies, industry analysis, and readings of on-screen representations. The book is a rich and detailed analysis of the changing nature of the gendered profession of making television, thinking through the past, with lessons for the present and future of the entertainment industry. Accessible and fascinating, the book should be widely read by scholars, industry insiders, and the public too! Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Harsh conditions, intense isolation, and acute danger inevitably impacted the making and communicating eighteenth-century scientific knowledge leading up to the first International Polar Year in 1882. In her new book, Explorations in the Icy North: How Travel Narratives Shaped Arctic Science in the Nineteenth Country (University of Pittsburgh Press, 2021), Nanna Katrine Lüders Kaalund demonstrates the instability of nineteenth-century scientific practices and the challenges of producing travel narratives about the harsh Arctic field by comparing an array of transnational arctic travel narratives, including British, Danish, Canadian, American, and indigenous perspectives. On their return to the metropole, explorers and their backers discovered that organizing and controlling perceptions of their venture became as tricky to navigate as the expeditions themselves. Noting the ambivalent relationship among religion, commerce, and scientific interests, Explorations in the Icy North examines tensions between the typ

For this episode, I met historian and writer Dr. Lydia Pyne. She is author of Postcards: The Rise and Fall of the World’s First Social Network (Reaktion, 2021).. Postcards is a global exploration of postcards as artifacts at the intersection of history, science, technology, art, and culture. Postcards are usually associated with banal holiday pleasantries, but they are made possible by sophisticated industries and institutions, from printers to postal services. When they were invented, postcards established what is now taken for granted in modern times: the ability to send and receive messages around the world easily and inexpensively. Fundamentally they are about creating personal connections—links between people, places, and beliefs. Lydia Pyne examines postcards on a global scale, to understand them as artifacts that are at the intersection of history, science, technology, art, and culture. In doing so, she shows how postcards were the first global social network and also, here in the twenty-first century,

The humanities, considered by many as irrelevant for modern careers and hopelessly devoid of funding, seem to be in a perpetual state of crisis, at the mercy of modernizing and technological forces that are driving universities towards academic pursuits that pull in grant money and direct students to lucrative careers. But as Paul Reitter and Chad Wellmon show in Permanent Crisis: The Humanities in a Disenchanted Age (U Chicago Press, 2021), this crisis isn’t new—in fact, it’s as old as the humanities themselves. Today’s humanities scholars experience and react to basic pressures in ways that are strikingly similar to their nineteenth-century German counterparts. The humanities came into their own as scholars framed their work as a unique resource for resolving crises of meaning and value that threatened other cultural or social goods. The self-understanding of the modern humanities didn’t merely take shape in response to a perceived crisis; it also made crisis a core part of its project. Through this critica

William Faulkner, one of America's most iconic writers, is an author who defies easy interpretation. Born in 1897 in Mississippi, Faulkner wrote such classic novels as Absolom, Absolom! and The Sound and The Fury, creating in Yoknapatawpha county one of the most memorable gallery of characters ever assembled in American literature. Yet, as acclaimed literary critic Michael Gorra explains, Faulkner has sustained justified criticism for his failures of racial nuance--his ventriloquism of black characters and his rendering of race relations in a largely unreconstructed South--demanding that we reevaluate the Nobel laureate's life and legacy in the twenty-first century, as we reexamine the junctures of race and literature in works that once rested firmly in the American canon. Interweaving biography, literary criticism, and rich travelogue, The Saddest Words: William Faulkner's Civil War (Liveright Publishing, 2020) argues that even despite these contradictions--and perhaps because of them--William Faulkner still

In her new book, Haunted Homes (Rutgers University Press, 2022), Dahlia Sweitzer explores the ways in which the trope of the haunted house in horror signifies the anxieties, traumas, and terrors of suburban American life. Comprehensive and readable, this slim volume establishes beyond a doubt that in movies and television series from The Conjuring to The Haunting of Hill House, "home is where the horror is." Haunted Homes is unique in its focus on what Schweitzer calls the "suburban gothic." Scholarly studies of the supernatural in horror cinema tend to be decidedly ahistorical, suggesting that contemporary films about haunted houses tap into the same fear of the uncanny evoked by eighteenth and nineteenth-century works of European gothic literature. Schweitzer, however, argues that these films are distinctly modern and American, framing them as a dark reflection of suburban life since the 1950s and particularly in the decade following the economic collapse of 2008. Schweitzer undertakes an in-depth examinati

Larissa Fasthorse's new collection of plays includes the wildly successful plays The Thanksgiving Play/What Would Crazy Horse Do? (Theatre Communications Group, 2021). In both plays, Fasthorse explores issues facing contemporary Native Americans, but also white America's complicated self-identity in an era of multiculturalism. In The Thanksgiving Play, four white people with varying degrees of theatre experience try to stage a historically sensitive Thanksgiving pageant for a local school, with predictably disastrous results. What Would Crazy Horse Do? features the last two members of a fictional tribe who are forced to confront uncomfortable aspects of their own history when they learn that their grandfather participated in a reenactment of a powwow as part of a Klan rally. This gut-churning play reveals the fallacy of any ideology of racial purity, whether involving whites, indigenous peoples, or any other group. Together, these two plays are a riotously funny but ultimately unsettling look at contemporary

In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement. Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory. Morteza Hajizadeh is a Ph.D. graduate in English

An interview with Allegra Hyde, author of Eleutheria (Vintage, 2020), a debut novel about an idealist who comes face to face with the allure and pitfalls of utopian eco-communities. Allegra and I discuss the need for hopeful narratives of a possible future in an age of climate disaster, and how and why art is poised to craft those narratives. We talk about the “stench of perfectionism” that invades some intentional communities, the pleasures of dumpster-diving with Freegans, the beautiful art of terrarium making, trying to live the solution when the world isn’t listening, and so much more. Books Recommended in this episode: Alexandra Kleeman, Something New Under the Sun Lydia Millet, A Children’s Bible Matt Bell, Appleseed Amitav Gosh, The Great Derangement Andreas Malm, How to Blow Up a Pipeline  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under c