New Books In Intellectual History

A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters (U Michigan Press, 2023) uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary

Devoted to the ways in which Holocaust literature and Gulag literature provide contexts for each other, Leona Toker's Gulag Literature and the Literature of Nazi Camps: An Intercontexual Reading (Indiana UP, 2019) shows how the prominent features of one shed light on the veiled features and methods of the other. Toker views these narratives and texts against the background of historical information about the Soviet and the Nazi regimes of repression. Writers at the center of this work include Varlam Shalamov, Primo Levi, Elie Wiesel, and Ka-Tzetnik, and others, including Aleksandr Solzhenitsyn, Evgeniya Ginzburg, and Jorge Semprún, illuminate the discussion.  Toker's twofold analysis concentrates on the narrative qualities of the works as well as on the ways in which each text documents the writer's experience and in which fictionalized narrative can double as historical testimony. References to events might have become obscure owing to the passage of time and the cultural diversity of readers; the book expla

In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty’, the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aes

The ancient philosopher Diogenes--nicknamed "The Dog" and decried by Plato as a "Socrates gone mad"--was widely praised and idealized as much as he was mocked and vilified. A favorite subject of sculptors and painters since the Renaissance, his notoriety is equally due to his infamously eccentric behavior, scorn of conventions, and biting aphorisms, and to the role he played in the creation of the Cynic school, which flourished from the 4th century B.C. to the Christian era. In The Dangerous Life and Ideas of Diogenes the Cynic (Oxford UP, 2023), Jean-Manuel Roubineau paints a new portrait of an atypical philosopher whose life left an indelible mark on the Western collective imagination and whose philosophy courses through various schools of thought well beyond antiquity. Roubineau sifts through the many legends and apocryphal stories that surround the life of Diogenes. Was he, the son of a banker, a counterfeiter in his hometown of Sinope? Did he really meet Alexander the Great? Was he truly an apologist for

The marvellous, a key concept in literary debates at the turn of the seventeenth century, involved sensory and perspectival transformation, a rhetoric built on the unexpected, contradictory, and thought-provoking. The composer Claudio Monteverdi (1567–1643) created a new practice in which the expressive materials of music and poetry were placed in concert. This innovative new study of Monteverdi's literary personality integrates musical and poetic analysis to create an approach to text-music relations that addresses scholars of both literature and music.  Roseen Giles' book Monteverdi and the Marvellous: Poetry, Sound, and Representation (Cambridge UP, 2023) illuminates how experiments in language and perception at the turn of the seventeenth century were influenced and informed by the work of musicians of that era. Giles provides a new perspective on the music and poetry of Monteverdi's madrigals through the poetics of the marvellous. In his madrigals, Monteverdi created a reciprocity between poetry and musi

The Jewish Imperial Imagination: Leo Baeck and German-Jewish Thought (Cambridge UP, 2024) discusses the life and work of Leo Baeck (1873–1956) the rabbi, public intellectual, and the official leader of German Jewry during the Holocaust. The Jewish Imperial Imagination shows the myriad ways in which the German imperial enterprise left its imprint on his religious and political thought, and on modern Judaism more generally. This book is the first to explore Baeck's religious thought as political, and situate it within the imperial context of the period which is often ignored in discussions of modern Jewish thought. Baeck's work during the Holocaust is analysed in-depth, drawing on unpublished manuscripts written in Nazi Germany and in the Theresienstadt Ghetto. In the process, the book raises new questions about the nature of Jewish missionizing and the German-Jewish imagination of the East as a space for colonization. Feller thus develops the concept of the 'Jewish imperial imagination', moving beyond a simple

The use of disability as a metaphor is ubiquitous in popular culture – nowhere more so than in the myths, stereotypes and tropes around blindness. To be 'blind' has never referred solely to the inability to see. Instead blindness has been used as shorthand for, among other things, a lack of understanding, immorality, closeness to death, special insight or second sight. Although these 'meanings' attached to blindness were established as early as antiquity, readers, receivers and spectators into the present have been implicated in the stereotypes, which persist because audiences can be relied on to perpetuate them.  Marchella Ward's book Blindness and Spectatorship in Ancient and Modern Theatres: Towards New Ways of Looking and Looking Back (Cambridge UP, 2023) argues for a new way of seeing – and of understanding classical reception - by offering assemblage-thinking as an alternative to the presumed passivity of classical influence. And the theatre, which has been (incorrectly) assumed to be principally a visu

Ryan Wolfson-Ford’s provocative new book, Forsaken Causes: Liberal Democracy and Anticommunism in Cold War Laos (U Wisconsin Press, 2024), is an intellectual history of Laos during the Cold War. The book challenges the established view that Cold War Laos was a plaything of foreign powers, particularly France, the United States, and North Vietnam. It does so by mining the writings of the Lao intellectual elite to produce a revisionist history of Laos that clearly shows the Lao as agents of their own history. The book also reveals a little-known fact of history that for much of the period from 1945 to the communist Pathet Lao’s seizure of power in 1975, Laos had one of the most flourishing multi-party democracies in Southeast Asia. Lao nationalism, anti-communism, and democracy thrived, and these political ideas were largely homegrown. Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au. Learn

The ideal of ‘conversation’ recurs in modern thought as a symbol and practice central to ethics, democratic politics, and thinking itself. Interweaving readings of fiction and philosophy in a ‘conversational’ style inspired by Stanley Cavell, Fiction, Philosophy and the Ideal of Conversation (Edinburgh UP, 2023) clarifies this lofty yet vague ideal, while developing a revitalizing model for interdisciplinary literary studies. It argues that conversation is key to exemplary responses to sceptical doubt in ordinary language and political philosophy – where scepticism threatens ethics and democratic politics – and in works of British fiction spanning from Jane Austen through Ali Smith. It shows that for these writers, conversation can shift attention from metaphysical doubts regarding our capacity to know ‘reality’ and other people, to ethical, democratic, and aesthetic action. The book moreover proposes – and models – ‘conversational criticism’ as a framework linking literary studies to broader political and et

The Reality of the Message: Psychoanalysis in the Wake of Jean Laplanche (Unconscious in Translation, 2023) compiles papers written by Dominique Scarfone. Each paper is followed by a conversation about the paper between the author and Avgi Saketopoulou. "I propose we have a conversation after each of your essays as a way to engage your work, to ask for clarifications on the reader's behalf, and to multiply the entry points to your thinking. I imagine that these conversations will work cumulatively, talking the reader deeper into each chapter and also showing your way of thinking not by describing it but by exposing the reader to it 'in vivo.' Part of what your work has offered me personally, which I hope these exchanges will also convey to the reader, is the sheer pleasure of thinking about theory with you -- that it's not a stale or inert process but that, on the contrary, it is an experience in itself." -Avgi Saketopoulou "While an indisputable fact about human reality is that of communication and its corol

In An Empire of Laws: Legal Pluralism in British Colonial Policy (Yale University Press, 2023), Dr. Christian R. Burset presents a compelling reexamination of how Britain used law to shape its empire. For many years, Britain tried to impose its own laws on the peoples it conquered, and English common law usually followed the Union Jack. But the common law became less common after Britain emerged from the Seven Years’ War (1754–63) as the world’s most powerful empire. At that point, imperial policymakers adopted a strategy of legal pluralism: some colonies remained under English law, while others, including parts of India and former French territories in North America, retained much of their previous legal regimes. As legal historian Dr. Burset argues, determining how much English law a colony received depended on what kind of colony Britain wanted to create. Policymakers thought English law could turn any territory into an anglicized, commercial colony; legal pluralism, in contrast, would ensure a colony’s ec

Since the Enlightenment, the question has arisen as to how it is possible to think of the “unity of the human race” as a multiplicity. How can the promise of universal equality be combined with the claim to diversity? In Vielheit: Jüdische Geschichte und die Ambivalenzen des Universalismus (Hamburger Editionen, 2022), Till van Rahden takes up this central theme of European modernity through the example of Jewish history. The more the ideal of equality gained in importance, the fiercer the dispute over cultural and religious difference became. This is illustrated by the debates about the emancipation of the Jews and the Jewish experiences of equal rights and discrimination since the late 18th century. Through the history of contentious concepts such as assimilation, minority or majority, ethnicity, and roots, this book tells a story of plurality that extends to the present day. It describes a reality full of contradictions, in which it is necessary to endure the tension between equality and freedom. Paul Lerne

Michael Johnston's The Middle English Book: Scribes and Readers, 1350-1500 (Oxford UP, 2023) addresses a series of questions about the copying and circulation of literature in late medieval England: How do we make sense of the variety of manuscripts surviving from this period? Who copied and disseminated these diverse manuscripts? Who read the literary texts that they transmit? And what was the relationship between those copying literature and those reading it? To answer these questions, this book examines 202 literary manuscripts from the period 1350 to 1500. First, this study suggests that most surviving manuscripts fall into four categories, depending on the proximity and relationship of that manuscript's scribes and readers. But beyond proposing these new categories, this book also looks at the history of writing practices, and demonstrates the ubiquity of bureaucracies within late medieval England.  As a result, The Middle English Book argues that literary production was a decentered affair, one that too

The dissolution of the monasteries was recalled by individuals and communities alike as a seismic rupture in the religious, cultural, and socio-economic fabric of early modern England. It was also profoundly important in shaping contemporary historical consciousness, the topographical imagination, and local tradition. Memory and the Dissolution of the Monasteries in Early Modern England (Cambridge University Press, 2021) by Dr. Harriet Lyon is a book about the dissolution of the monasteries after the dissolution. Dr. Lyon argues that our understanding of this historical moment is enriched by taking a long chronological view of the suppression, by exploring how it was remembered to those who witnessed it and how this memory evolved in subsequent generations. Exposing and repudiating the assumptions of a conventional historiography that has long been coloured by Henrician narratives and sources, this book reveals that the fall of the religious houses was remembered as one of the most profound and controversial

"Most lawyers, most actors, most soldiers and sailors, most athletes, most doctors, and most diplomats feel a certain solidarity in the face of outsiders, and, in spite of other differences, they share fragments of a common ethic in their working life, and a kind of moral complicity." – Stuart Hampshire, Justice is Conflict. There are many more examples of professional solidarity, however fragmented and tentative, sharing the link of a common ethic that helps make systems, and the analysis of them, possible in the larger political economy. Writing from a law professor’s vantage point, Katharina Pistor, in her new book, The Code of Capital: How the Law Creates Wealth and Inequality (Princeton University Press, 2019) explains how even though law is a social good it has been harnessed as a private commodity over time that creates private wealth, and plays a significant role in the increasing disparity of financial outcomes. As she points out in this interview, and her chapter ‘Masters of the Code’, it is ‘critic

Isabella Alexander's book Copyright and Cartography: History, Law, and the Circulation of Geographical Knowledge (Bloomsbury, 2023) explores the intertwined histories of mapmaking and copyright law in Britain from the early modern period up to World War 1, focusing chiefly on the 18th and 19th centuries. Taking a multidisciplinary approach and making extensive use of the archival record, this is the first detailed, historical account of the relationship between maps and copyright. As such, it examines how the emergence and development of copyright law affected mapmakers and the map trade and how the application of copyright law to the field of mapmaking affected the development of copyright doctrine. Its explorations cast new light on the circulation of geographical knowledge, different cultures of authorship and creativity, and connections between copyright law, print culture, technology, and society.  The book will be of interest to legal historians, intellectual property scholars, and historians of the map

"Fascism" is a word ubiquitous in our contemporary political discourse, but few know about its roots in the ancient past or its long, strange evolution to the present. In ancient Rome, the fasces were a bundle of wooden rods bound with a leather cord, in which an axe was placed—in essence, a mobile kit for corporal or capital punishment. Attendants typically carried fasces before Rome's higher officials, to induce feelings of respect and fear for the relevant authority. This highly performative Roman institution had a lifespan of almost two millennia, and made a deep impression on subsequent eras, from the Byzantine period to the present. Starting in the Renaissance, we find revivals and reinterpretations of the ancient fasces, accelerating especially after 1789, the first year of the United States' Constitution and the opening volley of the French Revolution. But it was Benito Mussolini, who, beginning in 1919, propagated the fasces on an unprecedented scale. Oddly, today the emblem has grown largely unfamil

Robert Louis Wilken, the William R. Kenan Professor Emeritus of the History of Christianity at the University of Virginia, has written an intellectual history of the ideas surrounding freedom of religion. Liberty in the Things of God: The Christian Origins of Religious Freedom (Yale University Press, 2019) offers a revisionist history of how the ideas of freedom of conscience and freedom of religion originated in the writings of the Christian fathers of the early Church, such as Tertullian and Lactantius, during the period when Christians were a persecuted sect of the Roman Empire. Wilken argues that it was not the political theorists of the Enlightenment who invented religious freedom in response to the wars of the Reformation, but rather the participants of the Reformation itself, including both Protestant and Catholic thinkers, who recovered ideas from the Roman-era Church fathers and used them to develop arguments about religious liberty for both individuals and faith communities. Wilken demonstrates that

In his new book, Transnational Nazism: Ideology and Culture in German Japanese Relations, 1919-1936 (Cambridge University Press, 2019), associate professor of history at Carnegie Mellon University Ricky W. Law examines the cultural context of Tokyo and Berlin’s political rapprochement in 1936. This study of interwar German-Japanese relations is the first to employ sources in both languages. Transnational Nazism was an ideological and cultural outlook that attracted non-Germans to become adherents of Hitler and National Socialism, and convinced German Nazis to identify with certain non-Aryans. Because of the distance between Germany and Japan, mass media was instrumental in shaping mutual perceptions and spreading transnational Nazism. This work surveys the two national media to examine the impact of transnational Nazism. When Hitler and the Nazi movement gained prominence, Japanese newspapers, lectures and pamphlets, nonfiction, and language textbooks transformed to promote the man and his party. Meanwhile, t

What is the relationship between aesthetic presentation of thought and scientific conceptions of cognition? Torsa Ghosal’s Out of Mind: Mode, Mediation, and Cognition in Twenty-First-Century Narrative (Ohio State UP, 2021) answers this question by offering incisive commentary on a range of contemporary fictions that combine language, maps, photographs, and other images to portray thought. Situating literature within groundbreaking debates on memory, perception, abstraction, and computation, Ghosal shows how stories not only reflect historical beliefs about how minds work but also participate in their reappraisal. Out of Mind makes a compelling case for understanding narrative forms and cognitive-scientific frameworks as co-emergent and cross-pollinating. To this end, Ghosal harnesses narrative theory, multimodality studies, cognitive sciences, and disability studies to track competing perspectives on remembering, reading, and sense of place and self. Through new readings of the works of Kamila Shamsie, Aleksa