In Our Time: Religion

Melvyn Bragg and guests discuss Dante’s ‘Inferno’ - a medieval journey through the nine circles of Hell. “Abandon hope, all ye who enter here”. This famous phrase is written above the gate of Hell in a 14th century poem by the Italian poet Dante Alighieri. The poem is called the ‘Divine Comedy’ and Hell is known as ‘Dante’s Inferno’. It is a lurid vision of the afterlife complete with severed heads, cruel and unusual punishments and devils in frozen lakes. But the inferno is much more than a trip into the macabre - it is a map of medieval spirituality, a treasure house of early renaissance learning, a portrait of 14th century Florence, and an acute study of human psychology. It is also one of the greatest poems ever written. With, Margaret Kean, University Lecturer in English and College Fellow at St Hilda’s College, University of Oxford; John Took, Professor of Dante Studies at University College London and Claire Honess, Senior Lecturer in Italian at the University of Leeds and Co-Director of the Leeds Cen

Melvyn Bragg and guests discuss the Arab conquests - an extraordinary period in the 7th and 8th centuries when the tribes of the Arabian Peninsula conquered the Middle East, Persia, North Africa and Southern Europe and spread the ideas of the Islamic religion. In 632 the prophet Muhammad died and left behind the nascent religion of Islam among a few tribes in the Arabian Desert. They were relatively small in number, they were divided among themselves and they were surrounded by vast and powerful empires. Yet within 100 years Arab armies controlled territory from Northern Spain to Southern Iran and Islamic ideas had begun to profoundly refashion the societies they touched. It is one of the most extraordinary and significant events in world history that began the slow and profound transformation of Greek and Persian societies into Islamic ones. But how did the Arab armies achieve such extensive victories, how did they govern the people they conquered and what was the relationship between the achievements of the

Melvyn Bragg and guests discuss the Metaphysical poets, a diffuse group of 17th century writers including John Donne, Andrew Marvell and George Herbert. Mourning the death of a good friend in 1631, the poet Thomas Carew declared: “The Muses' garden, with pedantic weeds O'erspread, was purg'd by thee; the lazy seeds Of servile imitation thrown away, And fresh invention planted.”The gardener in question was a poet, John Donne, and from his fresh invention blossomed a group of 17th century writers called the metaphysical poets. Concerned with sex and death, with science and empire, the metaphysical poets challenged the conventions of Elizabethan poetry with drama and with wit. And they showed that English, like Italian and French, was capable of true poetry.Unashamedly modern, they were saluted by another great modernist, T.S. Eliot, who admired their genius for imagery, the freshness of their language and the drama of their poetic character. But what do we mean by metaphysical poetry, how did it reflect an age

Melvyn Bragg and guests discuss Henry VIII and the Dissolution of the Monasteries. Was Henry’s decision to destroy monastic culture in this country a tyrannical act of grand larceny or the pious destruction of a corrupt institution? When he was an old man, Michael Sherbrook remembered the momentous events of his youth: “All things of price were either spoiled, plucked away or defaced to the uttermost…it seemed that every person bent himself to filch and spoil what he could. Nothing was spared but the ox-houses and swincotes…” He was talking about the destruction of Roche Abbey, but it could have been Lewes or Fountains, Glastonbury, Tintern or Walsingham, names that haunt the religious past as their ruins haunt the landscape. These were the monasteries, suddenly and for many shockingly, destroyed during the reign of Henry VIII.The conflict was played out with a mix of violence, heroism, political manoeuvring and genuine theological disputation. But what was lost in terms of architecture, painting, treasure an

Melvyn Bragg and guests discuss the Greek myths from Achilles to Zeus. Are you a touch narcissistic? Do you have the body of an Adonis? Are you willing to undertake Herculean tasks or Promethean ventures? Perhaps you have an Oedipus complex? If you answer to any or perhaps all of these you owe something to the Greek myths, a collection of weird and wonderful stories that, like Penelope’s shroud or the needlework of Arachne, were constantly woven and unpicked across centuries of Greek and Roman civilisation. The myths have a cast of thousands including mighty Zeus, Jason and the Argonauts, wily Odysseus, beautiful Aphrodite and Cerberus, the three-headed dog. They are funny, shocking, quirky and epic and have retained their power and their wisdom from the ancient world to the modern. With Nick Lowe, Senior Lecturer in Classics at Royal Holloway, University of London; Richard Buxton, Professor of Greek Language and Literature at the University of Bristol; Mary Beard, Professor of Classics at Cambridge Universit

Melvyn Bragg and guests will be delving into the world of medieval legend in pursuit of the powerful and enigmatic Fisher King. In the world of medieval romance there are many weird and wonderful creatures – there are golden dragons and green knights, sinister enchantresses and tragic kings, strange magicians and spears that bleed and talk. And yet, in all this panoply of wonder, few figures are more mysterious than the Fisher King.Blighted by a wound that will not heal and entrusted as the keeper of the Holy; the Fisher King is also a version of Christ, a symbol of sexual anxiety and a metaphor for the decay of societies and civilisations. The Fisher King is a complex and poetic figure and has meant many things to many people. From the age of chivalry to that of psychoanalysis, his mythic even archetypal power has influenced writers from Chrétien de Troyes in the 12th century to TS Eliot in the 20th. With Carolyne Larrington, Tutor in Medieval English at St John’s College, Oxford; Stephen Knight, Distinguis

Melvyn Bragg and guests discuss the Nicene Creed which established the Divinity of Christ. "We believe in one God, the Father Almighty, Maker of heaven and earth, and of all things visible and invisible. And in one Lord Jesus Christ, the only-begotten Son of God, begotten of the Father before all worlds." Thus begins the Nicene Creed, a statement of essential faith spoken for over 1600 years in Christian Churches - Catholic, Orthodox and Protestant. But what has become a universal statement was written for a very particular purpose - to defeat a 4th century theological heresy called Arianism and to establish that Jesus Christ was, indeed, God. The story of the Creed is in many ways the story of early Christianity – of delicate theology and robust politics. It changed the Church and it changed the Roman Empire, but that it has lasted for nearly 2000 years would seem extraordinary to those who created it. With Martin Palmer, Director of the International Consultancy on Religion, Education and Culture; Caroline

Melvyn Bragg and guests discuss the Pilgrim Fathers and their 1620 voyage to the New World on the Mayflower. Every year on the fourth Thursday in November, Americans go home to their families and sit down to a meal. It’s called Thanksgiving and it echoes a meal that took place nearly 400 years ago, when a group of religious exiles from Lincolnshire sat down, after a brutal winter, to celebrate their first harvest in the New World. They celebrated it in company with the American Indians who had helped them to survive.These settlers are called the Pilgrim Fathers. They were not the first and certainly not the largest of the early settlements but their Plymouth colony has retained a hold on the American imagination which the larger, older, violent and money-driven settlement of Jamestown has not.With Kathleen Burk, Professor of Modern and Contemporary History at University College London; Harry Bennett, Reader in History and Head of Humanities at the University of Plymouth; Tim Lockley, Associate Professor of Hi

Melvyn Bragg and guests discuss the philosophical ideas of William Ockham including Ockham's Razor. In the small village of Ockham, near Woking in Surrey, stands a church. Made of grey stone, it has a pitched roof and an unassuming church tower but parts of it date back to the 13th century. This means they would have been standing when the village witnessed the birth of one of the greatest philosophers in Medieval Europe. His name was William and he became known as William of Ockham.William of Ockham’s ideas on human freedom and the nature of reality influenced Thomas Hobbes and helped fuel the Reformation. During a turbulent career he managed to offend the Chancellor of Oxford University, disagree with his own ecclesiastical order and get excommunicated by the Pope. He also declared that the authority of rulers derives from the people they govern and was one of the first people so to do. Ockham’s razor is the idea that philosophical arguments should be kept as simple as possible, something that Ockham himsel

Melvyn Bragg discusses the Dutch Jewish Philosopher Spinoza. For the radical thinkers of the Enlightenment, he was the first man to have lived and died as a true atheist. For others, including Samuel Taylor Coleridge, he provides perhaps the most profound conception of God to be found in Western philosophy. He was bold enough to defy the thinking of his time, yet too modest to accept the fame of public office and he died, along with Socrates and Seneca, one of the three great deaths in philosophy. Baruch Spinoza can claim influence on both the Enlightenment thinkers of the 18th century and great minds of the 19th, notably Hegel, and his ideas were so radical that they could only be fully published after his death. But what were the ideas that caused such controversy in Spinoza’s lifetime, how did they influence the generations after, and can Spinoza really be seen as the first philosopher of the rational Enlightenment?With Jonathan Rée, historian and philosopher and Visiting Professor at Roehampton University

Melvyn Bragg and guests discuss the 7th century saint, Hilda, or Hild as she would have been known then, wielded great religious and political influence in a volatile era. The monasteries she led in the north of England were known for their literacy and learning and produced great future leaders, including 5 bishops. The remains of a later abbey still stand in Whitby on the site of the powerful monastery she headed there. We gain most of our knowledge of Hilda's life from The Venerable Bede who wrote that she was 66 years in the world, living 33 years in the secular life and 33 dedicated to God. She was baptised alongside the king of Northumbria and with her royal connections, she was a formidable character. Bede writes: “Her prudence was so great that not only indifferent persons but even kings and princes asked and received her advice”. Hild and her Abbey at Whitby hosted the Synod which decided when Easter would be celebrated, following a dispute between different traditions. Her achievements are all the m

Melvyn Bragg and guests discuss the Jesuits, a Catholic religious order of priests who became known as “the school masters of Europe”. Founded in the 16th century by the soldier Ignatius Loyola, they became a major force throughout the world, from China to South America. “Give us a boy and we will return you a man, a citizen of his country and a child of God”, they declared. By the 17th century there were more than 500 schools established across Europe. Their ideas about a standardised curriculum and teaching became the basis for many education systems today.They were also among the greatest patrons of art in early modern Europe, using murals and theatre to get their message across. To their enemies they were a sinister collective whose influence reached into the courts of kings. Their wealth and their adaptability to local customs abroad provoked suspicion, prompting their eventual suppression in the late 18th century. They were re-established in 1814 and now have more than twenty thousand members.So why was

Melvyn Bragg and guests discuss hell and its representation in literature and the visual arts, through the ages from Ancient Egypt to modern Christianity. Why do certain religions have a Satan figure and others don’t? And why did hell shift from the underworld to here on earth in 20th Century representations?A fiery vault beneath the earth or as Sartre put it, other people - it seems our ideas of hell are inevitably shaped by religious and cultural forces. For Homer and Virgil it’s a place you can visit and return from, often a wiser person for it. With Christianity it’s a one way journey and a just punishment for a sinful, unrepentant life. Writers and painters like Dante and Hieronymus Bosch gave free rein to their imaginations, depicting a complex hierarchical world filled with the writhing bodies of tormented sinners. In the 20th century hell can be found on earth in portrayals of war and the Holocaust but also in the mind, particularly in the works of TS Eliot and Primo Levi. So what is the purpose of he

Melvyn Bragg and guests discuss the Diet of Worms, an event that helped trigger the European Reformation. Nestled on a bend of the River Rhine, in the South West corner of Germany, is the City of Worms. It’s one of the oldest cities in central Europe; it still has its early city walls, its 11th century Romanesque cathedral and a 500-year-old printing industry, but in its centre is a statue of the monk, heretic and founder of the Protestant Reformation, Martin Luther. In 1521 Luther came to Worms to explain his attacks on the Catholic Church to the Holy Roman Emperor, Charles V, and the gathered dignitaries of the German lands. What happened at that meeting, called the Diet of Worms, tore countries apart, set nation against nation, felled kings and plunged dynasties into suicidal bouts of infighting. But why did Martin Luther risk execution to go to the Diet, what was at stake for the big players of medieval Europe and how did events at the Diet of Worms irrevocably change the history of Europe? With Diarmaid

Melvyn Bragg and guests discuss the Spanish Inquisition, the defenders of medieval orthodoxy. The word ‘Inquisition’ has its roots in the Latin word 'inquisito' which means inquiry. The Romans used the inquisitorial process as a form of legal procedure employed in the search for evidence. Once Rome's religion changed to Christianity under Constantine, it retained the inquisitorial trial method but also developed brutal means of dealing with heretics who went against the doctrines of the new religion. Efforts to suppress religious freedom were initially ad hoc until the establishment of an Office of Inquisition in the Middle Ages, founded in response to the growing Catharist heresy in South West France. The Spanish Inquisition set up in 1478 surpassed all Inquisitorial activity that had preceded it in terms of its reach and length. For 350 years under Papal Decree, Jews, then Muslims and Protestants were put through the Inquisitional Court and condemned to torture, imprisonment, exile and death. How did the ea

Melvyn Bragg and guests discuss the literary and visual depiction of fairies, supernatural creatures that inhabit a half-way world between this one and the next.'They stole little Bridget for seven years long; When she came down again her friends were all gone. They took her lightly back, between the night and morrow; They thought that she was fast asleep, but she was dead with sorrow. They have kept her ever since deep within the lake, On a bed of flag-leaves, watching till she wake.' When the 19th century Anglo-Irish poet Richard Allingham wrote his poem The Fairies, he was replicating a belief about supernatural figures who steal children that stretched back to ancient Persian myths that date from 3000 BC. So universal is the terror of losing a child that the images of a lonely lost child and a mother who loses her child to fairies exist in civilisations everywhere. Demon Figures and Fairies have undergone a series of transformations according to their historical context, but what remains constant is their

Melvyn Bragg and guests discuss the Oxford Movement in the Church of England in the 19th century. Cardinal John Henry Newman is perhaps the most significant Christian theologian of the nineteenth century. He began as an evangelical, becoming a High Anglican before converting to Roman Catholicism in 1845. His is the story of the diversity of Victorian religious life. But his path also marks the waning of the ideas of Protestant nationhood at the close of the eighteenth century and the reaffirmation of the Catholic tradition at the turn of the twentieth century. For over a decade, between 1833 and 1845, Newman and his fellow travellers, the Oxford Movement, argued that the Church of England was a holy Catholic and Apostolic Church. They sought to assert the Catholic nature of their Church just as secularism, liberalism, non-conformism, and even Roman Catholicism, seemed to threaten her. They published tracts, preached and brought their social mission to some of the poorest urban parishes. Why between 1833 and 1

Melvyn Bragg and guests discuss ideas of heaven and the afterlife. The great medieval theologian Thomas Aquinas wrote 'that in the end language can only be related to what is experienced here, and given that the hereafter is not here, we can only infer'. Aquinas encapsulated a great human conundrum that has preoccupied writers and thinkers since ancient times: what might heaven be like. And although human language is constrained by experience, this has not stopped an outpouring of artistic, theological and literary representations of heaven. In the early Middle Ages men ascended up a ladder to heaven. In his Divine Comedy, Dante divided heaven into ten layers encompassing the planets and the stars. And the 17th century writer John Bunyan saw the journey of the soul to heaven as a spiritual struggle in his autobiography, The Pilgrim's Progress. But what exactly is heaven and where is it? How does the Protestant conception of the afterlife differ from the Catholic conception? How does one achieve salvation and

Melvyn Bragg and guests discuss the religious orders of the Dominicans and the Franciscans, known as the Blackfriars and Greyfriars. "Just as it is better to light up others than to shine alone, it is better to share the fruits of one's contemplation with others than to contemplate in solitude". Thus St Thomas Aquinas described his vocation, not only as a teacher, but also as a Dominican friar and philosopher at the University of Paris. In the 13th century, the religious orders of the Dominicans and the Franciscans were a great force for change in Catholic Europe. They thrived in the emerging towns and cities of the High Middle Ages, leading crusades and changing the way the Church dealt with heretics. They were the evangelists who transformed the Church's preaching of the Christian message to the people. On top of all this, these two orders were also responsible for reconciling Classical and Christian philosophy; their studies of Aristotle paved the way for the Renaissance. They also managed to change the cu

Melvyn Bragg and guests discuss paganism in the Renaissance. For hundreds of years in the Middle Ages, the only way to read Ovid was through the prism of a Christian moralising text. Ovid's sensual tales of metamorphosis and pagan gods were presented as veiled allegories, and the famous story of Zeus descending to Danae in a shower of gold was explained as the soul receiving divine illumination. But in 1478 Botticelli finished Primavera, the first major project on a mythological theme for a thousand years, and by 1554 Titian completed a very different version of Danae - commissioned by a Cardinal, no less - where she expectantly awaits her union with Zeus in what is a nakedly sexual pose. What happened to bring the myths and eroticism of antiquity back into the culture of Europe? And how was it possible for a Church that was prosecuting for heresy, to exalt in pagan imagery, even in the Vatican itself?With Tom Healy, Professor of Renaissance Studies, Birkbeck College, University of London; Charles Hope, Direc