Stages With Peter Eyers

Richard Martin joined Global Creatures as Technical Director in February 2012 and was appointed Head of Technical Production in March 2024.Richard’s technical theatre career commenced in 1979 where he spent 11 years with Opera Australia at the Sydney Opera House. Richard subsequently joined Cameron Mackintosh as Technical Manager touring throughout Australia, New Zealand, Asia and South Africa over a ten-year period. Richard launched Martin Production in 1999. Following this, Richard has been the Technical Director and Supervisor of numerous major theatrical productions and arena events over six continents, through the world’s major cities, including in the West End and on Broadway.Richard’s theatre credits include: Cats, Les Misérables, The Phantom of the Opera, Five Guys Named Moe, Miss Saigon, Rent, Aspects of Love, Joseph and the Amazing Technicolor Dreamcoat, Slava’s Snowshow, Singin’ In The Rain, Saturday Night Fever, Cabaret, Oliver!, Pippin, Company, Spamalot, Dirty Dancing, The Lion King, High School

Tony Award®-winning writer and lyricist Lynn Ahrens is a native New Yorker. She began her musical career fresh out of college when she became one of the principal songwriters and singers for the renowned American television series, “Schoolhouse Rock.”Since then, she has written extensively for theatre, film and television, winning theatre’s triple crown – the 1998 Tony Award®, Drama Desk and Outer Critics Circle Awards – for the lyrics of the acclaimed Broadway musical, Ragtime. In the same year she received two Academy Award® nominations and two Golden Globe nominations for Best Song and Best Score, for Twentieth Century Fox’s animated feature film Anastasia.With her longtime collaborator, composer Stephen Flaherty, her many Broadway, off-Broadway, and Lincoln Center Theatre credits include Once On This Island, Chita Rivera: The Dancer’s Life, My Favorite Year, Lucky Stiff, A Man of No Importance, Rocky, Dessa Rose, The Glorious Ones and Broadway’s Seussical, which is now one of the most performed shows in A

Sam Strong is an award-winning theatre director and one of Australia’s leading cultural figures, known for combining artistic ambition with transformative leadership. He has served as Artistic Director of Queensland Theatre and Griffin Theatre Company, Associate Artistic Director of Melbourne Theatre Company, Chair of Circa, and Executive Director of Creative Industries at Creative Victoria. In 2024 he was appointed Creative Director and CEO of Gasworks Arts Park.A graduate of the Victorian College of the Arts and admitted as a barrister and solicitor in the Supreme Court of Victoria, Strong brings rare cross-sector insight to his work. At Griffin, he delivered seven consecutive seasons of subscriber growth and record-breaking productions. At Queensland Theatre, he rebranded and revitalised the company, achieving the highest box office in its history, overseeing the renovation of the Bille Brown Theatre, and positioning the company as a national home for new Australian stories.Strong has directed for every Au

Gavan Swift is a multi award-winning Lighting Designer. He graduated from Australia’s National Institute of Dramatic Art (NIDA). His musical lighting designs include Mamma Mia!, Heathers the Musical, Mack & Mabel, The Mikado, The Pirates Of Penzance, Hot Shoe Shuffle, Little Shop of Horrors, Sweet Charity, Fiddler on the Roof, Jolson, Buddy, Oh What A Night, Footloose, Hair, Xanadu, Chess, Carousel, Follies, Annie and Saturday Night Fever both in Australia and on London’s West End. Gavan was the lighting designer for Moby Dick at New York’s Metropolitan Opera, making history as the first Australian Lighting Designer to light a production at the fabled Arts institution.. He has designed the lighting for The Production Company’s Anything Goes, Sugar (Some Like It Hot), The Music Man, Hair, Mack & Mabel, The Pirates of Penzance, Thoroughly Modern Millie and their inaugural production of Mame. For the State Theatre Company of South Australia his designs include Three Sisters (co-set designer), King Lear a

Morry Morgan is co‑founder and teacher at the Hard Knock Knocks Comedy School, a Melbourne‑based training ground that has helped more than 900 students — keynote speakers, first‑time comedians and bucket‑list performers — take the stage with confidence. A comedic entrepreneur and media commentator, Morry created the Gigme app, produced the comedy‑drama series Is This Thing On?, and ran The Rubber Chicken Comedy Pub from 2021–2023. His school, staffed by A‑list coaches, pairs new acts with headline performers and has been featured on Channel 9’s Travel Guides and supported by the NDIS for its inclusion work.Before returning to Australia in 2013, Morry lived and worked in Mainland China, founding award‑winning corporate training firm ClarkMorgan and publishing the region’s leading bilingual HR title, NetworkHR. A three‑time TEDx speaker and fluent Mandarin speaker, he regularly appears in Australian media on comedy, leadership and the creative arts.The STAGES podcast is available to access and subscribe from Sp

A graduate of the Drama Studio Sydney, Anthony Skuse is a director, dramaturge and teacher. Anthony’s directing credits include: Bradford Elmore’s Gravity (Qtopia); James Elazzi’s Saints of Damour (Qtopia); Ibsen’s Hedda Gabler (KXT, Secret House); Gary Owen’s Cherry Orchard: after Chekhov, (Old Fitz, Secret House); Ibsen’s Doll’s House (The Actors Company, ACA); Simon Longman’s Gundog (KXT, Secret House); Katie Pollock’s Rough Trade (Sydney Writes and Theatre Works Melbourne), Breaking the Code (New Theatre); Chekhov’s Three Sisters (Belvoir Downstairs, AFTT) Alistair McDowall’s Pomona, (KXT, Secret House); Katie Pollock’s Normal (Uncertainty Principle); Crime and Punishment (Secret House); Joanna Erskine’s Air  (Old 505); Simon Stephens’ Birdland (New Theatre); Sarah Kane’s 4.48 Psychosis (Old Fitz); Suzie Miller’s Sunset Strip (Uncertainty principle & Griffin, and with Critical Stages National Tour); Chekov’s Seagull (Secret House, Depot Theatre); Bathsheba Doran’s Mystery of Love and Sex (Darlinghurst

Deborah Jones is one of Australia’s most respected arts journalists, with a career spanning more than 25 years as a writer, critic and editor at The Australian. She served as Arts Editor for a decade and also edited the paper’s influential Review section, later becoming Executive Editor for five years.Joining the Sydney bureau in 1987 as a sub-editor, Deborah rose through the ranks to become a leading national voice in arts criticism. In 2001 she was appointed Arts Editor, a position she held for nearly ten years, shaping coverage of theatre, dance, opera and music across the country. She subsequently became the paper’s national dance critic — a role she continues to hold — while also reviewing musical theatre and opera.Deborah holds an honours degree in drama from the University of Newcastle, completed part-time while working as a journalist. She later spent three years as a drama tutor at the university, grounding her criticism in both scholarship and practical understanding of performance.In addition to he

Gaye MacFarlane is an acclaimed Australian mezzo-soprano whose career has spanned more than four decades across opera, musical theatre, concert performance, television and radio. A born performer, she began singing professionally as a teenager on Australian television before completing a Diploma in Operatic Arts at the Sydney Conservatorium of Music.Her early operatic career saw principal roles with major companies including Opera Australia, Victoria State Opera and South Australian Opera. She performed leading roles in works such as Carmen, The Italian Girl in Algiers, Orfeo and Euridice, Ariadne auf Naxos and The Rape of Lucretia. Highlights include the title role in Carmen in both Australia and Germany, Venus in Tannhäuser, Maddalena in Rigoletto, and appearances in Wagner’s Ring Cycle.Gaye’s transition into musical theatre began when she was cast as Eva Perón in Evita, alternating the role with Patti LuPone in the Australian production directed by Hal Prince. This success led to starring roles in Barnum, 

Zindzi Okenyo is a dynamic African Australian actor, director and singer. After graduating from NIDA in 2006, Zindzi was a member of Cate Blanchett’s Residents Company at Sydney Theatre Company for three years. In 2012 Zindzi toured Europe and the USA with A History of Everything and began as a much-loved presenter on ABC’s iconic children’s program Play School. Her kids project Zindzi & the Zillionaires is one of her most exciting adventures. A stunning hybrid of joyful R&B musical grooves combined with songs and themes that every child can love - friends, family, love, sharing, the wonders of nature. And of course, good vibes for the parents too! She is a familiar face on Australian TV screens with roles in series such as Fisk, Critical Incident, Troppo 2, Deadloch, Wakefield, The Code, Janet King, Harrow, and Sisters.In 2022 Zindzi joined Melbourne Theatre Company as part of the twelve-member cohort of Artistic Associates in an industry-first consultation capacity across two years. She has performe

From Brighton Beach in Melbourne to a garret overlooking Notre Dame in Paris, Amanda Pelman’s life has unfolded at the intersection of music, theatre and bold reinvention.She began as a radio journalist while studying at RMIT, before heading to London in 1981 to work with Dire Straits. Recruited home by Michael Gudinski to Mushroom Records, Amanda spent eleven years as publicist, label manager and A&R manager, signing emerging artists including Kylie Minogue and Jason Donovan. She co-managed Jimmy Barnes, co-founded Body Beat and Melodian Records with Ian “Molly” Meldrum, and guided Indecent Obsession to No.1 hits across Europe and Asia and a US Billboard Top 20.Transitioning to theatre, Amanda became Casting Consultant for Cameron Mackintosh Productions on RENT, auditioning thousands for just 24 roles. She went on to cast major productions including Oliver!, Cabaret and Fiddler on the Roof, and was the original Casting Director for Priscilla Queen of the Desert - the musical.A producer of landmark live e

A graduate of National Institute of Dramatic Art in 1980, Garry Scale has built a rich and varied career across theatre, cabaret, film and television. Born and educated in Geelong, Victoria, he first trained as a teacher before moving to Sydney to pursue acting — a foundation that would later bring his journey full circle.Garry became a beloved figure on Sydney’s cabaret scene through his long association with the Tilbury Hotel in Woolloomooloo. Performing alongside Tony Sheldon, Genevieve Lemon, Brett Murphy and Philip Scott, he helped create a string of sharp, irreverent comedies that became legendary. Their annual Christmas pantomimes — including Ubewdy and the Beast and Sunset Boulevard: The Panto — remain highlights of the city’s cabaret history.On the musical theatre stage, Garry has appeared in productions of Fiddler on the Roof, The Boy from Oz (as an original cast member), The Fantasticks, Hairspray, Buddy, Merrily We Roll Along, Carrie, and Bye Bye Birdie, among many others. He has performed for maj

Ho Ho Ho! STAGES has completed yet another season. Season 8! And 600+ episodes. You know what that means … it’s time to haul out the holly and pull those bon-bons.As is tradition, we conclude season 8 with our annual Christmas episode. The perfect companion as you wrap your presents, put up the tree, peel a prawn and pour another glass of pineapple punch!Once again I am joined by ‘Mary Christmas’ herself, the inimitable Kate Fitzpatrick who will no doubt provide her take on the cricket and the festive season. Always a treat!And special guests galore come into the STAGES studio to escape the ‘icy footpath, chestnuts roasting and snow covered stoops’ of our Christmas trained brains. Publicist Ian Phipps will say hello and advise us what to look out for on national stages in 2026. Drag Doyen Stan Munro has written his autobiography with companion author William Brougham, and they’ll join us to celebrate ahead of the book’s January release. The busiest couple in showbiz, Grant Piro and Marina Prior found time in

Two of our favourite STAGES guests, and couples, return to the podcast, together, to examine their dual lives as actors. Grant Piro and Marina Prior guarantee performance brilliance in any entertainment in which they grace the stage. They reflect on some of the highlights of 2025 and what Christmas brings to them both, as a couple, individually and as a family.Few artists embody the breadth and brilliance of Australian musical theatre as completely as Marina Prior. This year alone she has reaffirmed her status as one of the nation’s great leading ladies, embracing an extraordinary range of roles across the stage. From the brittle sophistication of Phyllis Rogers Stone in Stephen Sondheim’s Follies, to the tender innocence and wisdom of Kimberly Akimbo, and the delicious villainy of Madame Thénardier in Les Misérables – The Arena Spectacular, Prior continues to demonstrate an artistry of remarkable versatility. The latter role also marked her West End debut during the production’s 40th Anniversary season, a mi

Wilton Morley is an accomplished theatrical producer whose career helped shape the landscape of Australian commercial theatre throughout the 1970s and 1980s. Born into one of Britain’s most distinguished theatrical families—the son of celebrated actor Robert Morley and grandson of stage and screen legend Dame Gladys Cooper— he carried forward a remarkable artistic lineage while forging a distinct and influential career of his own.Morley began his professional journey with J.C. Williamson’s, the powerhouse of Australian commercial theatre, where he gained a deep grounding in production, touring and company management. Over the following two decades, he became known for bringing high-profile international stars to Australian stages, nurturing major local talent, and producing works that ranged from intimate dramas to genre-defining musicals and theatrical sensations.His first venture into producing, through his company Parachute productions, was Same Time, Next Year (1976) starring Lewis Fiander and Nancye Haye

A dynamic force in Australian and international entertainment, Drew Anthony began a multifaceted career onstage before expanding into producing, directing, choreography, casting, and writing across theatre, television, concerts, events, festivals, and large-scale ceremonies.Since relocating to Perth, Drew has served as Artistic Director of Kaleidoscope, the city’s light and illumination festival, and has directed and choreographed The Boy From Oz at Crown Theatre. At Planet Royale in Northbridge, he has produced and directed a string of acclaimed productions, including Grease, Chicago – A Musical Vaudeville, Strictly Ballroom, A Chorus Line, Saturday Night Fever, The Wedding Singer, Footloose, and Little Shop of Horrors.A specialist in global ceremonies and major events, Drew has held senior creative roles for the Sydney 2000 Olympic Games, Vancouver 2010 Winter Olympics, Doha 2006 Asian Games, Doha 2011 Arab Games, Rugby World Cup New Zealand 2011, NRL State of Origin, the World Handball Championship in Doha

Delia Hannah has given us a vast range of powerhouse performances in musical theatre productions globally.Born and residing in new Zealand, for the most part Delia’s career has been based in Sydney, commencing with a two year engagement in the premier season of LES MISERABLES (Cameron MacIntosh), only to return to play the ill-fated Fantine in the 10th Anniversary Production which had extended seasons in Australia, New Zealand and Asia. She also toured Australasia as a principal soloist in THE MUSIC OF ANDREW LLOYD WEBBER (Really Useful Group,IGM) starring Anthony Warlow and Sarah Brightman. She has played New Zealand and Australian seasons of Willy Russell’s acclaimed musical play BLOOD BROTHERS for which she won a Sydney Circle Critics Award for Best Actress. She has toured New Zealand in Stetson’s production of CHESS in the role of Florence Vassey and again in Melbourne as Svetlana.Not surprisingly Delia has built a reputation for playing strong, dramatic leading ladies who sing powerful and moving musical

Steve Ross has been a fixture of the cabaret community in Manhattan for over forty years. He was born “forty-five minutes from Broadway” in New Rochelle, NY, and was raised in Washington, DC with an opera-loving father and a mother who played on the piano the songs of Gershwin, Porter and Irving Berlin. His first major job in New York was as a successful singer/pianist at the now famous piano bar Ted Hook’s Backstage.In 1981 he re-opened the legendary Oak Room at Manhattan’s famed Hotel Algonquin where he held forth off and on for more than 15 years. He has appeared on Broadway in Noel Coward’s Present Laughter and off-Broadway in his tribute to Fred Astaire entitled I Won’t Dance. Internationally, he has performed in London, Paris, Tokyo, Sao Paulo, Rio de Janeiro, Melbourne and Sydney as well as cabarets and theatres across America and on the high seas. He’s hosted programs on the BBC and New York Public Radio and was on the Concerts and Lectures roster at the Metropolitan Museum of Art for eight years. He

Toni Lamond has taken her final bow. A legend of Australian Entertainment, she made her mark across many platforms; television, film, theatre, cabaret, recording, concert, author and of course, musical theatre.She takes with her the personas she assumed across a vast career – leaving us with memories of Reno Sweeney, Nancy, Mrs Pearce, Fraulein Schneider, Dolly Gallagher Levi, Mama Rose, Pirate Ruth, Maggie Jones, Hattie Walker, Bea Miles, Babe Williams, Wildcat Jackson, Sally Durant, and a Wardrobe named Madame de le Grande Bouche …. to name but a few. Toni Lamond was a woman of firsts In a time when overseas stars were brought to Australia to lead local productions of Broadway musicals, Toni was first to be given the opportunity to lead an Australian cast, in The Pajama Game. With husband, Frank Sheldon, she was the opening night act on GTV9 as Australian television was finding its feet. She went on to be the first woman to host a tonight show, when filling in for the legendary Graham Kennedy. She’s a desce

STAGES is joined by show pilgrims Simon Parris and Ian Phipps for a West End round-up of the musicals, plays and events they experienced on recent visits to London theatre.Simon Parris is a Melbourne reviewer, and his appraisals of theatre locally, nationally and abroad can be found at simonparrismaninchair.com. Ian Phipps is one of Australia’s leading publicists who ensures that we are informed of the latest entertainment offerings playing around the country.It’s always a joy to welcome them back to the STAGES podcast to appraise the theatre they have seen and recommend to us what we might pursue, should we be in any of the theatre precincts abroad.Sit back and engage with the three of us as we investigate what’s currently on offer in London’s West End.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages

Today on STAGES, we’re rolling out the red carpet for a truly dazzling double act — Michael Dalton and his fabulous alter ego, Dolly Diamond. Michael’s story begins in the West End at just ten years old, playing the title role in Oliver! — and from there, he’s conquered television screens, international tours, and cabaret stages.After immigrating to Australia in the 1980s, Michael appeared on television in popular series including Neighbours and The Henderson Kids.Michael has a long association with The Rocky Horror Picture Show, performing in the production’s tours across Australia, New Zealand, the UK and Europe. He later toured internationally as a backup singer for Julian Clary and joined Richard O’Brien in Disgracefully Yours at the Edinburgh Festival.Michael has built a rich career as a solo performer, appearing in venues around the world such as Oscar Wilde’s (New York), Madame Jo Jo’s (London) and Code (Copenhagen). He also appeared in the West End production of Naked Boys Singing.Then came Dolly… the